STEREO TUBE MIC PRE True Tube “Analog” Sound • All-Discrete Signal Path All-tube design. Selectable tone switches offer four sounds per channel. 60dB gain allows use of next-generation ribbon mics. EF86 input tubes/6N1P output tubes. Cinemag input transformers and custom-wound output transformers. True VU meters. Dual level controls....
STEREO MICROPHONE PREAMPLIFIER/D.I. “Big Iron” Sound of the ’70s • Unbelievable Bandwidth Two-channel, solid state preamp with two front-panel Hi-Z inputs. Captures the sound quality of the legendary Quad Eight Pacifica console with even more presence and high-end. Very warm and full tone without being dark; wide bandwidth with a sweet top end....
Single 1U Rack Space Steel Chassis Cinemag Output Transformers Jensen Input Transformer Three Specially Designed Discrete Operational Amplifiers Solid State Design Neutrik XLR Input and Output Connectors NEW - Individual Input and Output for Each Section: Mic, Instrument and EQ Separate Gain Controls for Mic and Instrument Input Sections NEW - Output Gain...
2 input channels, each with: adl o/s/l 1000 Mic, line, and instrument inputs adl o/s/l 1000 High-voltage, Class A, dual-transformer, vacuum-tube preamp adl o/s/l 1000 3 military-grade vacuum tubes adl o/s/l 1000 Input-source select adl o/s/l 1000 Variable mic-input impedance (150, 300, 900, 1,500Ω) adl o/s/l 1000 Variable...
Gain at 1kHz: 83 dB of gain at 1 kHz Noise figure: -130 EIN noise figure Db at 300 kHz: -3 dB at 300 kHz Balanced Microphone Input Impedance: 33K Ohm phantom power: No phantom power Color LEDs: Green and Red LEDs indicates channel level Balanced XLR: Balanced XLR +4 dBu, and Unbalanced 1/4- inch -10 dBV outputs External Features: Switched Gain and...
↵ Wide range GAIN control 20 dB Pad 48v Phantom Power Switch RE 115 K Mic input Transformer LED VU Meter Uses API 2520 Op-Amp All Discrete Circuit Transformer Coupled Inputs & Outputs to +28 dBu Specifications Input Impedance: Mic In 1500 Ohms Output Impedance: 85 Ohms, Transformer coupled, Balanced Maximum Input Level: +2...
Uses API 2520 Op Amps Classic API console circuit Four female XLR mic inputs Four front panel 1/4" Hi Z instrument inputs Front panel polarity switches Front panel -20dB pad switches Front panel mic/instrument switches Front panel 48V power switches Outputs clip at +28dBu Specifications Input Impedance: 1500 Ohms Mic, 470 K Ohms...
Uses API 2520 Op-Amp Classic Console Circuit Four XLR Mic Inputs Four 1/4" Un-Balanced Inputs Front Panel Polarity Switch Front Panel 20 dB PadSwitch Front Panel Mic/Line Switch Front Panel 48V Power Switch Output Clips at +30 dBm Specifications Input Impedance: 1500 Ohms Mic, 470 K Ohms Un-Balanced, HI-Z in Output Impedance: Less...
A pair of signature API 312 Mic Preamplifiers API 2510 and 2520 Operational Amplifiers 20 Segment LED metering on both analog and digital sections Mic and Instrument inputs Polarity, phantom power, input pad, 2:1 transformer routing, Mic/Line switches Six sample rate choices Sync to external Word Clock with feed through BNC External Super Clock...
MICROPHONE PREAMPLIFIER: (measured to balanced DB25 analogue outputs) MIC GAIN: 0 to 70 dB (extra gain stage for more!) SWITCHABLE PAD: -15 dB (all channels front panel switchable) LINE GAIN: -10 to 60 dB (-25 to 45 dB inc. PAD) PHANTOM POWER: 48V ±4V @ 10mA /...
MICROPHONE PREAMPLIFIERS:(measured to insert send) MIC GAIN: -10 to +60dB (-10dB Pad) LINE GAIN: -16 to +44dB (-10dB Pad)* PHANTOM POWER: 48v +/-4v @ 10mA/Channel MIC EIN: <-127.5dBu CMRR: >80dB @ 100 to 10kHz MAXIMUM INPUT LEVEL: +22dBu (+32dBu with Pad) INPUT IMPEDANCE: Mic LO: 220Ω Balanced Mic MED: 1k2Ω Balanced Mic HI: 2k8Ω Balanced Line (All...
Dual Mono Pure Class A Preamplifier Symmetrical Pure Class A design, two channels Microphone and hi-Z instrument inputs Gain switched 4dB steps plus +/- 3dB fine output trim Selectable microphone input impedance matching Low noise -126dB EIN Ultra high quality, low-ratio, balanced input transformer Balanced, high-current Class A output to +36dB...